Hmmmmm... In alphabetical order, from my bookshelf.
Dan Abnett-- Writes comics and also a lot of books for Games Workshop's private press, The Black Library. His
Gaunt's Ghosts books (I think there are a dozen of them at this point) are required reading for anyone who wants to juggle a large cast of characters-- or whittle one down.
Clive Barker-- Dark and twisted, yet his stories always have this odd sense of truth to them. Even his made-up mythologies sound like they
should be true.
Ray Bradbury-- God. Nothing else can be said.
Edgar Rice Burroughs-- The John Carter stories were my first introduction to pulp and the idea of "iron-thewed men." I bought most of them at Garfield's bookstore, found the rest on my Uncle Tim's bookshelf. I still have all those original books I bought as a kid.
Neil Gaiman-- If you only know
The Sandman, you are missing out on soooooooooo much cool stuff.
American Gods left me breathless.
Anansi Boys made me feel better than any book has in years.
Nathaniel Hawthorne-- Read the classics. You can't know real horror until you've read "Rappacinni's Daughter"...
Steven King-- There's a reason he's the King. No, not just because it's his name... To this day "The Boogeyman" is still the most terrifying story I've ever read, and I know at least two other people besides me who've had their sleep-patterns forever altered because of it.
Dean Koontz-- Half his stuff is modern-day pulp. A quarter of it is crap. And that last quarter... Wow. Just wow.
Fear Nothing.
Harper Lee-- She wrote one book. Read it. It's the greatest book in the English language.
H.P.Lovecraft-- Is there a horror writer alive today who doesn't cite him as an influence? No? So start reading!!
Brian Lumley--
Necroscope didn't really do it for me, but the
Titus Crow books... again, wow. Six novellas leading to a punchline that will blow your mind.
Will Shakespeare-- Yeah, that's right. The bard!
Macbeth isn't just about destiny and man's will and all that crap-- it's a damned good story about witches and a prophesy that comes true no matter how much you try to dodge it.
Hamlet's practically about posession.
The Tempest is about people getting shipwrecked on this weird island where they have to deal with monsters and creepy natives-- hey, someone should update that...
